Jenő Nendtwich

Jeno Barcsay’s prints feel like X-rays of people’s private lives—sharp, a little nosy, and full of personality. He had a habit of sketching strangers in cafes then turning their faces into prints that look both real and slightly strange, like you’re seeing someone’s thoughts. His Baronul Adalbert von Gerlitzi is a good place to start: it’s a portrait that doesn’t just show a man’s face, but seems to ask what he’s hiding.