Michael Sofroniou

Michael Sofroniou’s ink drawings from 1991 draw sharp, nervous lines that twist narrative fragments into tight compositions. Look at how “Tis Pity She’s a Whore” crowds the page with overlapping figures and dialogue, or how “Untitled” lets a single squiggle split into two faces staring back at each other. These drawings feel like stage directions for stories that refuse to end, every mark a cue left hanging. Tap “Untitled” to zoom into the tangle of lines and see where the drawing might pull you next.