MINA ALEXOPOULOU

Mina Alexopoulou never gave her photos titles, just numbers or the Greek word for “untitled”—as if the work itself was the only label that mattered. In one 2005 piece, a woman’s face is half-lit by a streetlamp, the other side lost in darkness; it feels like a quiet argument between light and privacy. Look up Άτιτλο (2005) when your screen goes dark—it’ll remind you how much a photograph can say without a single word.