Robert Montenegro

Robert Montenegro’s idea of a good time? Rolling up his sleeves and carving wood until his hands were dusted with sawdust and ink. That’s how the 1912 Untitled print was born—no fancy titles, just a block of cherry and a knife, turned into something you can hold in one hand. If you like the rough, honest edges of woodcuts, walk straight to that single sheet in the corner; it’s the door into Montenegro’s world, where every cut tells a story without saying a word.