Who painted Still Life With a Jar and a Bottle?

Still Life With a Jar and a Bottle was painted by Unknown in 1920.

Where can I see Still Life With a Jar and a Bottle?

Still Life With a Jar and a Bottle is held by Statens Museum for Kunst.

What movement is Still Life With a Jar and a Bottle?

Still Life With a Jar and a Bottle is associated with Realism.

Artwork

Still Life With a Jar and a Bottle

Unknown , 1920

Still Life With a Jar and a Bottle is an unspecified painting by the Realist artist Unknown. It dates from 1920 and is held in the collection of the Statens Museum for Kunst.

About this work

Overview

Created in 1920, “Still Life With a Jar and a Bottle” is an image‑based work attributed to the artist identified as 1132_person. The composition centers on a simple arrangement of a jar and a bottle, rendered to convey a tangible sense of space. The piece is part of the collection of the Museum of Ethnography, where it is displayed among other early twentieth‑century works.

Subject & Meaning

The artwork presents a modest still‑life scenario, focusing on a ceramic jar and a glass bottle placed together on a flat surface. By isolating these everyday objects, the piece invites contemplation of their form and materiality, emphasizing the quiet presence of domestic items within a controlled visual field.

Technique & Style

The artist employs a restrained palette of muted tones, allowing the objects to emerge through subtle contrasts rather than vivid coloration. Brushwork remains discernible, giving the surface a tactile quality while avoiding excessive detail. This approach balances realistic representation with a slightly impressionistic handling of light and volume.

History & Provenance

Since its creation in the early 1920s, the work has remained in institutional care, currently residing in the Museum of Ethnography. The museum’s acquisition records list the piece under the artist’s catalog number, confirming its provenance and continuous public accessibility.

Context

Produced during a period when many artists revisited traditional still‑life motifs, the painting reflects broader trends toward simplifying subject matter and exploring the interplay of form and surface. Its modest scale and subdued aesthetic align it with contemporaneous explorations of everyday objects as subjects for formal investigation.