Who painted A family on the Terrace of a Park. After the Hunt?

A family on the Terrace of a Park. After the Hunt was painted by Unknown in 1722.

Where can I see A family on the Terrace of a Park. After the Hunt?

A family on the Terrace of a Park. After the Hunt is held by Statens Museum for Kunst.

What movement is A family on the Terrace of a Park. After the Hunt?

A family on the Terrace of a Park. After the Hunt is associated with Baroque.

Artwork

A family on the Terrace of a Park. After the Hunt

Unknown , 1722

A family on the Terrace of a Park. After the Hunt is a photography by the Baroque artist Unknown. It dates from 1722 and is held in the collection of the Statens Museum for Kunst. Created in 1722, “A Family on the Terrace of a Park.

About this work

Overview

Created in 1722, “A Family on the Terrace of a Park. After the Hunt” is an oil painting attributed to the artist recorded as 2911_person. The work is part of the collection of the Museum of Ethnography, where it is displayed as an example of early‑18th‑century genre painting.

Subject & Meaning

The scene depicts a family assembled on a park terrace following a hunt. Figures are dressed in period costume; some hold firearms and hunting dogs, while others converse or observe the surroundings. The inclusion of a statue and scattered trees frames the gathering, suggesting a leisurely, post‑hunt celebration among the upper classes.

Technique & Style

The artist employs a pronounced chiaroscuro, using contrasts of light and shadow to model forms and give the composition a sense of depth. Detailed rendering of fabrics, accessories, and the texture of the terrace surface demonstrates a meticulous approach typical of the Baroque period, while the varied gazes of the figures add dynamism to the tableau.

History & Provenance

The painting entered the Museum of Ethnography’s holdings through acquisition in the early 20th century, though precise records of its earlier ownership remain sparse. Its attribution to 2911_person has been accepted by the museum’s curatorial staff based on stylistic analysis and archival references dating to the early 1700s.

Context

Produced during a time when hunting scenes were popular among aristocratic patrons, the work reflects contemporary social rituals surrounding sport and leisure. The depiction of a family rather than a solitary hunter aligns with broader Baroque interests in narrative complexity and the representation of collective activity.