Who painted Self-Portrait?

Self-Portrait was painted by Unknown in 1908.

Where can I see Self-Portrait?

Self-Portrait is held by Statens Museum for Kunst.

What movement is Self-Portrait?

Self-Portrait is associated with Post-Impressionism.

Artwork

Self-Portrait

Unknown , 1908

Self-Portrait is an unspecified painting by the Post-Impressionist artist Unknown. It dates from 1908 and is held in the collection of the Statens Museum for Kunst. Created in 1908, this self‑portrait by the artist identified as 30276_person is part of the collection at the Museum of Ethnography.

About this work

Overview

Created in 1908, this self‑portrait by the artist identified as 30276_person is part of the collection at the Museum of Ethnography. The work depicts the painter himself holding a wooden palette, dressed in a dark vest over a light‑colored shirt, and gazing with a solemn expression. A faint, almost ghostly figure appears behind him, adding a subtle narrative layer.

Subject & Meaning

The central figure is the artist, presented as both creator and subject. The palette in his hand emphasizes his professional identity, while the serious demeanor suggests contemplation of his craft. The barely discernible silhouette in the background may hint at an unseen observer or a symbolic presence, inviting viewers to consider the relationship between artist, work, and audience.

Technique & Style

The painting employs a pronounced impasto technique, with thick, textured brushstrokes that leave the paint visibly raised from the canvas surface. This method creates a tactile quality, allowing the colors to blend directly on the board and enhancing the sense of immediacy. The rough application contributes to a robust, physical presence that characterizes the work’s visual impact.

History & Provenance

Since its completion in the early twentieth century, the portrait has remained within institutional holdings, eventually being accessioned by the Museum of Ethnography. Its provenance traces back to the artist’s own estate before entering the museum’s collection, where it has been displayed as part of the institution’s broader representation of early modern portraiture.