Artwork

Massacre of the Innocents

Massacre of the Innocents, by Alessandro Magnasco, oil, 1727
Massacre of the Innocents, by Alessandro Magnasco, oil, 1727

Massacre of the Innocents is an oil painting by the Rococo painting artist Alessandro Magnasco. It dates from 1727 and is held in the collection of the Rijksmuseum.

About this work

Overview

Alessandro Magnasco’s *Massacre of the Innocents* (1727) is an oil painting that captures the biblical episode of King Herod’s order to kill newborn children. Executed on canvas, the work is part of the Rijksmuseum’s holdings and exemplifies the artist’s late‑Baroque sensibility blended with emerging Rococo tendencies.

Subject & Meaning

The composition portrays a tumultuous scene of soldiers and civilians locked in violent conflict. Figures tumble on the ground, some mounted on horses, while others lie lifeless, their clothing rendered in muted browns and grays punctuated by occasional splashes of blue and red. The chaotic arrangement underscores the tragedy and disorder inherent in the narrative.

Technique & Style

Magnasco employs rapid, gestural brushwork that conveys movement and immediacy. Light and shadow are sharply contrasted, a chiaroscuro effect that isolates individual bodies amid the darkness. The fleeting illumination and exaggerated forms reflect his penchant for fantastical, almost theatrical staging, aligning the piece with the decorative dynamism characteristic of early Rococo.

History & Provenance

Created in 1727 while Magnasco was active in the artistic circles of Milan and Genoa, the painting later entered the Rijksmuseum collection, where it remains on display. Its provenance traces a path from Italian private collections to the Dutch national institution, illustrating the cross‑European appreciation of Magnasco’s work.

Context

Magnasco’s career unfolded during the transition from the dramatic intensity of the Baroque to the lighter, ornamental qualities of the Rococo. *Massacre of the Innocents* embodies this shift, merging the somber biblical subject with a visually lively, decorative approach that reflects broader aesthetic currents in early eighteenth‑century Europe.

Artist & collection

Portrait of Alessandro Magnasco

Artist

Alessandro Magnasco

Alessandro Magnasco (February 4, 1667 – March 12, 1749), also known as il Lissandrino, was an Italian late-Baroque painter active mostly in Milan and Genoa.

Rijksmuseum

Museum

Rijksmuseum

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This work is in the public domain (CC0). Image source: Rijksmuseum open access. Spotted an error in this record? Tell us.