Artwork

Scenes from the story of Tobias (marriage of Tobias and Sara; the archangel leaves Tobit and Anna)

Scenes from the story of Tobias (marriage of Tobias and Sara; the archangel leaves Tobit and Anna) is an unspecified painting by the Early Renaissance artist Bicci di Lorenzo. It dates from 1422 and is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

Created circa 1422, this panel by Florentine painter Bicci di Lorenzo presents two narrative moments from the biblical Book of Tobit.

Created circa 1422, this panel by Florentine painter Bicci di Lorenzo presents two narrative moments from the biblical Book of Tobit. The left side shows a banquet scene with several figures gathered around a table, while the right side depicts an angel departing from a couple seated at a similar table, clutching a spray of flowers. The composition is rendered in vivid pink, blue, and green tones, lending the work a tranquil atmosphere.

Subject & Meaning

The painting illustrates episodes from the story of Tobias: the celebratory meal associated with the marriage of Tobias and Sara, and the departure of the archangel Raphael after fulfilling his protective role for Tobit and his family. Halos and gestures identify the holy participants, emphasizing divine guidance and the fulfillment of familial duties within the biblical narrative.

Technique & Style

Executed in tempera on panel, the work displays the early Renaissance interest in spatial organization and naturalistic detail. Figures are modeled with delicate shading, and the use of bright, saturated pigments highlights clothing and architectural elements. The dual scenes are linked by a continuous horizon line, creating a cohesive visual narrative while maintaining distinct focal points.

History & Provenance

Bicci di Lorenzo, son of Lorenzo di Bicci, was active in Florence in the early 15th century, primarily as a fresco painter before receiving panel commissions. This particular piece entered the collection of the Kunsthistorisches Museum in Vienna, where it remains part of the museum’s holdings of early Renaissance art.

Context

The work belongs to the early Renaissance period, a time when Florentine artists began to explore more realistic representation of space and human emotion. By depicting a biblical story in a domestic, banquet-like setting, Bicci aligns with contemporary trends that sought to make sacred narratives relatable to contemporary viewers.