Artwork
Anne Stuart (1665-1714), koningin van Engeland. Echtgenote van George van Denemarken
Anne Stuart (1665-1714), koningin van Engeland. Echtgenote van George van Denemarken is a copper painting by the Rococo painting artist Charles Boit. It dates from 1715 and is held in the collection of the Rijksmuseum.
About this work
Overview
This oval enamel portrait, executed on a copper base, presents Anne Stuart, Queen of Great Britain, in a compact format suitable for pendant display. The work measures only a few centimeters across, emphasizing a refined, intimate portrayal rather than a grand, full‑length image. Its delicate coloration and smooth surface draw the viewer’s attention to the sitter’s dignified expression.
Subject & Meaning
The figure is Anne Stuart, who ruled as queen from 1702 until her death in 1714 and was married to George of Denmark. She is shown with tightly curled hair, a composed gaze, and attire that includes a white dress patterned with black dots, gold‑trimmed sleeves, and a blue ribbon adorned with a decorative pin at the chest, symbols of her royal status.
Technique & Style
Swedish enamelist Charles Boit employed vitreous enamel on copper, a method that involves fusing powdered glass to metal at high temperature. The Rococo influence appears in the light, elegant composition and the subtle, pastel palette. Boit’s application of soft, blended hues and fine brushwork creates a luminous surface and a gentle modeling of facial features.
History & Provenance
Created in 1715, shortly after Anne’s death, the portrait was likely commissioned as a commemorative object. It entered the collection of the Rijksmuseum, where it remains part of the museum’s holdings of European decorative arts and portraiture, reflecting the cross‑national career of Boit, who worked in England, Austria and France.
Context
During the early eighteenth century, enamel portraiture on metal was prized for its durability and brilliance, often used for personal mementos or diplomatic gifts. Boit’s work exemplifies the period’s fascination with refined, portable luxury objects, and the piece aligns with the broader Rococo trend toward graceful, ornamental aesthetics in courtly portraiture.
Artist & collection
Artist
Charles Boit (10 August 1662, in Stockholm – 6 February 1727, in Paris) was a Swedish painter in vitreous enamels who mostly worked in England, Austria and France.
