Artwork

Green Plums

Green Plums, by Joseph Decker, oil, 1885
Green Plums, by Joseph Decker, oil, 1885

Green Plums is an oil painting by the Impressionist artist Joseph Decker. It dates from 1885 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created circa 1885, *Green Plums* is an oil on canvas work by Joseph Decker, a German‑born artist who built his career in the United States. The painting belongs to the late‑19th‑century American Impressionist vein, focusing on a modest still‑life arrangement that foregrounds colour and surface.

Subject & Meaning

The composition centers on a wooden crate tipped on its side, spilling a bounty of green plums onto a dark tabletop. A light‑toned fabric drapes behind the crate, providing a muted backdrop. The varied hues of the fruit, from pale to deep green, and the presence of tiny brown stems draw attention to the natural texture and form of the produce.

Technique & Style
The dark surface beneath the plums creates a subtle chiaroscuro, enhancing the three‑dimensionality of the objects.

Decker applies oil paint with a loose, yet controlled brushwork characteristic of Impressionist practice, allowing colour to blend softly across the fruit’s skin while preserving distinct highlights. The dark surface beneath the plums creates a subtle chiaroscuro, enhancing the three‑dimensionality of the objects. The overall palette remains restrained, emphasizing tonal harmony over dramatic contrast.

History & Provenance

*Green Plums* was painted during Decker’s mature period, when he was establishing a reputation for refined still‑life paintings in the United States. Though specific ownership records are limited, the work has appeared in several exhibitions of American Impressionism and is documented in catalogues of Decker’s oeuvre, confirming its attribution and dating to the mid‑1880s.

Artist & collection

Portrait of Joseph Decker

Artist

Joseph Decker

Joseph Decker (May 1853 – 1 April 1924) was a German-born American painter who specialized in still-lifes. His subjects were mostly of edible, rather than man-made objects.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.