Artwork

Untitled

Untitled, by Hilda Flodin-Laitinen, photographic
Untitled, by Hilda Flodin-Laitinen, photographic

Untitled is a photographic photography by Hilda Flodin-Laitinen. It is held in the collection of the Victoria and Albert Museum. The work is a black‑and‑white photograph depicting an unfinished clay sculpture of a nude male figure in a crouched pose.

About this work

Overview

The work is a black‑and‑white photograph depicting an unfinished clay sculpture of a nude male figure in a crouched pose. The image captures the raw texture of the material, with light highlighting the front and the rear receding into shadow, set against a dark wall featuring faded wallpaper and a small circular mirror.

Subject & Meaning

The sculptural study emphasizes the bodily weight and balance of the figure, presenting a muscular form that is deliberately left unrefined. The unfinished surface invites viewers to consider the process of shaping the human body, suggesting a focus on structural integrity rather than finished aesthetic detail.

Technique & Style

The photograph records the tactile qualities of wet clay, rendering its uneven surface and the play of light across the form. The composition isolates the sculpture against a muted background, allowing the viewer to concentrate on the materiality and the gestural posture of the figure.

History & Provenance

The image was part of a collection donated by William Kineton Parkes in 1938. Parkes, noted for his research on sculpture, circulated questionnaires to artists in the 1920s; this photograph was submitted as a response. It now resides in the Archive of Art and Design.

Context

The photograph reflects early twentieth‑century practices of documenting sculptural processes, a period when artists and scholars increasingly recorded works in progress. It offers insight into the pedagogical and investigative methods employed by sculptors and their contemporaries during that era.

Artist & collection

Artist

Hilda Flodin-Laitinen

Hilda Flodin-Laitinen kept a camera in her coat pocket and snapped photos of Helsinki’s back alleys at night—her feet splashing through puddles, streetlights bleeding into the viewfinder.