Who painted View of the Canal Grande in Venice with a Look at Ca'Pesaro?

View of the Canal Grande in Venice with a Look at Ca'Pesaro was painted by Francesco Albotto in 1745.

Where can I see View of the Canal Grande in Venice with a Look at Ca'Pesaro?

View of the Canal Grande in Venice with a Look at Ca'Pesaro is held by Gemäldegalerie Berlin.

What movement is View of the Canal Grande in Venice with a Look at Ca'Pesaro?

View of the Canal Grande in Venice with a Look at Ca'Pesaro is associated with Rococo painting.

Can I buy a print of View of the Canal Grande in Venice with a Look at Ca'Pesaro?

Museum-quality prints of View of the Canal Grande in Venice with a Look at Ca'Pesaro are available made-to-order from Artifact World Gallery.

Artwork

View of the Canal Grande in Venice with a Look at Ca'Pesaro

Francesco Albotto , 1745

View of the Canal Grande in Venice with a Look at Ca'Pesaro is an oil painting by the Rococo painting artist Francesco Albotto. It dates from 1745 and is held in the collection of the Gemäldegalerie Berlin.

About this work

Overview

The composition balances the bustling waterway with a tranquil sky, presenting a view that combines architectural grandeur with everyday river traffic.

Francesco Albotto’s 1745 oil painting captures a stretch of Venice’s Grand Canal, centering on the stately façade of Ca’ Pesaro. The composition balances the bustling waterway with a tranquil sky, presenting a view that combines architectural grandeur with everyday river traffic. The work exemplifies the Venetian veduta tradition, offering a detailed yet atmospheric snapshot of mid‑18th‑century urban life.

Subject & Meaning

The canvas foregrounds a series of gondolas and smaller boats, their occupants engaged in routine activities, while the imposing Ca’ Pesaro dominates the background with its ornate windows and flat roof. The juxtaposition of human movement against the enduring stone architecture suggests a reflection on Venice’s continuity, where commerce and daily life flow alongside timeless structures.

Technique & Style

Executed in oil, Albotto employs a delicate palette characteristic of the Rococo period, using soft, muted tones to render the cloudy sky and water’s reflective surface. Fine brushwork delineates architectural details, while broader strokes convey the atmospheric haze, creating depth and a sense of immediacy that aligns with the veduta genre’s emphasis on realistic perspective.

History & Provenance

Albotto, a pupil of Michele Marieschi, inherited his master’s workshop after marrying Marieschi’s widow, continuing the established visual approach. The painting entered the Gemäldegalerie in Berlin, where it remains part of the museum’s collection of 18th‑century European works, illustrating the cross‑regional appreciation of Venetian cityscapes during the period.