Artwork

Le Repas du lion

Le Repas du lion, by French 19th Century, ink, 1897
Le Repas du lion, by French 19th Century, ink, 1897

Le Repas du lion is an ink print by the Impressionist artist French 19th Century. It dates from 1897 and is held in the collection of the National Gallery of Art.

About this work

The artist used photolithography, a way to turn photos into printable plates.

This print shows a lion at a dining table with a knife and fork. He sits straight in a chair, eyeing a half-eaten meal. The red ink makes him look more like a costumed man than a wild animal.

The artist used photolithography, a way to turn photos into printable plates. It was new in 1897 and let artists copy images fast. This print is one of the few left from that experiment.

Lithography is the technique to explore next.

Overview

Le Repas du lion is a print created using photolithography, a technique that allowed for the mass production of images from photographs. It is executed in red ink on wove paper.

Subject & Meaning

The print depicts a lion seated at a dining table, using utensils to eat a meal. The red coloration gives the lion a somewhat anthropomorphic appearance, blurring the line between animal and human.

Technique & Style

The artist employed photolithography, a relatively new process in 1897, to produce this work. This technique enabled the rapid reproduction of images, and Le Repas du lion is one of the surviving examples from this experimental period.

Artist & collection

Portrait of French 19th Century

Artist

French 19th Century

This sculptor liked to keep sharp tools in the studio and blunt ones in his pocket—his niece recalled finding him absentmindedly whittling a stick while talking philosophy.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.