Artwork

George Washington

George Washington, by Valentine Green, ink, 1785
George Washington, by Valentine Green, ink, 1785

George Washington is an ink print by the Romanticist artist Valentine Green. It dates from 1785 and is held in the collection of the National Gallery of Art.

About this work

Overview

He is dressed in a dark uniform with gold‑trimmed epaulettes, white breeches, black boots, and a sword at his side.

Valentine Green’s 1785 mezzotint presents a portrait of a military figure mounted on a horse. The sitter stands upright, his left hand resting on the animal’s back, while his right hand holds a hat. He is dressed in a dark uniform with gold‑trimmed epaulettes, white breeches, black boots, and a sword at his side. A modest landscape with a building and clouded sky forms the background, lending the image a dignified atmosphere.

Subject & Meaning

The composition portrays the sitter as a commanding presence, emphasizing authority through his posture and attire. The inclusion of the horse and the formal uniform underscores themes of leadership and martial virtue, while the restrained landscape situates the figure within a broader, perhaps civic, setting.

Technique & Style

Executed as a mezzotint, the work relies on delicate tonal gradations achieved by roughening and smoothing a copper plate, allowing Green to render subtle contrasts of light and shadow. The rendering of textures—fabric, metal, and equine flesh—exhibits the Romanticist attention to atmospheric depth and emotive presence characteristic of Green’s prints.

History & Provenance

Created in 1785, the print reflects the period’s interest in commemorating prominent military leaders. Valentine Green, an English engraver known for his portrait mezzotints, produced this image during his prolific career in the late eighteenth century. The work has circulated among collections of British prints and remains a representative example of Green’s portraiture.

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.