Artwork

Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 1119
Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 1119

Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by Unknown. It dates from 1119 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The work is a painted representation of folio 37 (verso) from a manuscript of the *Perfection of Wisdom in Eight Thousand Lines* (the Ashtasahasrika Prajnaparamita‑sutra). It depicts a narrow wooden strip on which the sutra’s text appears, rendered in a decorative, flowing script that follows a vertical, top‑to‑bottom arrangement.

Subject & Meaning

The image records a segment of Buddhist scripture, emphasizing the continuity and fluidity of the sacred verses. By presenting the text as if carved into wood, the artist underscores the durability and reverence of the teachings, inviting contemplation of the sutra’s philosophical depth.

Technique & Style

Executed with a chiaroscuro approach, the painting employs contrasting light and shadow to model the wooden surface, giving it a three‑dimensional presence. The script is painted in a single, continuous line, its curves suggesting the effect of incised lettering while maintaining a painterly quality.

History & Provenance

The folio originates from a medieval manuscript tradition of the Prajnaparamita sutras, widely copied across Central and East Asia. The painted version was likely produced as a decorative study or a portable exemplar for monastic use, though specific details of its creation and ownership remain undocumented.

Context

During the period when Buddhist texts were extensively illustrated, artists often rendered manuscript pages to demonstrate calligraphic skill and to aid devotional practice. This work reflects that tradition, situating the text within a visual framework that enhances both readability and spiritual focus.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.