Artwork

Page from the Late Shah Jahan Album: Calligraphy Framed by an Ornamental Border with Poppies and Pairs of Birds (verso)

Page from the Late Shah Jahan Album: Calligraphy Framed by an Ornamental Border with Poppies and Pairs of Birds (verso), unspecified, 1653
Page from the Late Shah Jahan Album: Calligraphy Framed by an Ornamental Border with Poppies and Pairs of Birds (verso), unspecified, 1653

Page from the Late Shah Jahan Album: Calligraphy Framed by an Ornamental Border with Poppies and Pairs of Birds (verso) is an unspecified painting. It dates from 1653 and is held in the collection of the Cleveland Museum of Art. This illuminated page belongs to a late Shah Jahan manuscript album.

About this work

Overview

This illuminated page belongs to a late Shah Jahan manuscript album. The surface is covered with gold leaf, over which a dense network of fine lines creates a luminous ground. Central to the composition is a rectangular panel containing black Arabic calligraphy set against a pinkish field, surrounded by a delicate floral motif.

Subject & Meaning

The Arabic text appears to be a poetic verse or a literary quotation, organized into neatly separated sections. While the exact content is not specified, such verses in Mughal albums often convey courtly love, moral instruction, or reflections on nature, aligning with the decorative theme of the page.

Technique & Style

The page demonstrates the Mughal penchant for combining fine brushwork with gilding. Gold leaf provides a reflective backdrop, while the black ink is rendered with precise, flowing strokes. The ornamental border employs miniature painting techniques: stylized red poppies, verdant leaves, and diminutive birds rendered in vivid pigments, creating a rhythmic visual pattern.

History & Provenance

Created during the later period of Emperor Shah Jahan’s reign (1628–1658), the sheet was part of a personal album, a format used by Mughal elites to collect calligraphic and pictorial pieces. The work eventually entered the collection of the Cleveland Museum of Art, where it is displayed among other Mughal artworks.

Context

Mughal imperial workshops in the 17th century blended Persian calligraphic traditions with Indian decorative motifs. The inclusion of poppies and birds reflects the court’s interest in naturalistic detail, while the gold background underscores the luxurious status of the patron commissioning such albums.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.