Who painted Die hl. Rosalie küsst die Seitenwunde des Erlösers?

Die hl. Rosalie küsst die Seitenwunde des Erlösers was painted by Lazzaro Baldi in 1662.

Where can I see Die hl. Rosalie küsst die Seitenwunde des Erlösers?

Die hl. Rosalie küsst die Seitenwunde des Erlösers is held by Bavarian State Painting Collections.

What movement is Die hl. Rosalie küsst die Seitenwunde des Erlösers?

Die hl. Rosalie küsst die Seitenwunde des Erlösers is associated with Early Baroque Italian.

Artwork

Die hl. Rosalie küsst die Seitenwunde des Erlösers

Lazzaro Baldi , 1662

Die hl. Rosalie küsst die Seitenwunde des Erlösers is an unspecified painting by the Early Baroque Italian artist Lazzaro Baldi. It dates from 1662 and is held in the collection of the Bavarian State Painting Collections. Die hl.

About this work

Overview

Die hl. Rosalie küsst die Seitenwunde des Erlösers (St. Rosalie Kissing the Side Wound of the Savior) is a 1662 painting by Italian Baroque artist Lazzaro Baldi, housed in the Alte Pinakothek. The work exemplifies early Italian Baroque characteristics through its dramatic depiction of a religious scene.

Subject & Meaning

Contrary to the title's suggestion, the painting actually portrays a scene of the Savior (likely Christ) being carried by two figures, with His calm face a focal point. The title's subject, St. Rosalie, is not visibly engaged in the described act, implying a potential discrepancy or alternate interpretation of the scene's elements.

Technique & Style

Baldi employed chiaroscuro to dramatic effect, using deep shadows against a dark, smoky background to make the central figures stand out in sharp relief. This technique accentuates the serene yet intense moment captured in the painting.

History & Provenance

Created in 1662 during Baldi's active period in Rome, the painting is now part of the Alte Pinakothek's collection, though specific acquisition details are not provided here.

Context

As an early Italian Baroque piece, it reflects the movement's emphasis on emotional intensity and dramatic lighting, characteristic of 17th-century Roman artistic trends.

Legacy

While not extensively detailed here, the painting's presence in a prominent museum collection like the Alte Pinakothek suggests its recognized value within the Baroque canon, though its specific influence or renown among Baldi's works is not elaborated upon.