Two Statues of Male Nudes

Executed in loose, rapid lines, the drawing prioritizes capturing movement and overall form over meticulous detail. The rough black chalk strokes on light, nearly yellowed paper contribute to a sense of spontaneity and sketchy immediacy.

Created circa 1760, this drawing aligns with Robert's active period, though specific provenance details are not provided here. It represents a lesser-known aspect of his oeuvre, which is more commonly associated with landscape and capricci paintings.

Within the broader context of 18th-century French art, this work intersects with both the lingering influence of classical ideals and the emerging expressive tendencies of the Romantic movement, with which Robert is affiliated.