Artwork
Studies for "The Fall of Gog and Magog"

Studies for "The Fall of Gog and Magog" is a charcoal drawing by John Singer Sargent. It dates from 1910 and is held in the collection of the National Gallery of Art.
About this work
Overview
John Singer Sargent’s drawing, titled “Studies for ‘The Fall of Gog and Magog,’” is a charcoal work on laid paper. It presents a quiet scene of two dogs lying side by side, rendered in a compact, observational format that highlights the artist’s interest in animal anatomy and gesture.
Subject & Meaning
The composition focuses on the relaxed posture of the two canines, one leaning gently against the other. By emphasizing their muscular forms and the subtle interaction between the bodies, Sargent explores the quiet vitality of everyday subjects, using the dogs as a study in natural weight and balance.
Technique & Style
Executed with soft charcoal shading, the drawing builds volume through layered strokes that model the dogs’ musculature. The use of laid paper provides a textured surface that enhances the tonal variations, allowing Sargent to suggest form without relying on detailed line work, a hallmark of his draftsmanship.
History & Provenance
Created as preparatory material for the larger painting “The Fall of Gog and Magog,” the study was likely produced in the early 20th century during Sargent’s exploration of narrative subjects. It remains part of the artist’s extensive collection of animal studies, which were often kept in his personal archives.
Context
Sargent’s animal sketches were a regular component of his practice, serving both as independent studies and as references for larger compositions. This particular work reflects his broader engagement with the interplay of light, shadow, and form, a concern that runs through his portraiture and landscape work alike.
Artist & collection
Artist
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.














