Artwork

Lady Maria Hooker When Miss Turner at Age Seventeen

Lady Maria Hooker When Miss Turner at Age Seventeen, by Mary Dawson Turner, ink, 1814
Lady Maria Hooker When Miss Turner at Age Seventeen, by Mary Dawson Turner, ink, 1814

Lady Maria Hooker When Miss Turner at Age Seventeen is an ink print by the Romanticist artist Mary Dawson Turner. It dates from 1814 and is held in the collection of the National Gallery of Art.

About this work

The artist used a technique that lets ink spread in watery patches, giving it a soft, slightly fuzzy look.

This is a simple black-and-white portrait of a young woman. Her hair is styled in soft curls, and she wears a loose dress with thin straps. The lines are light, almost sketchy, with some shading on her face and shoulders.

The artist used a technique that lets ink spread in watery patches, giving it a soft, slightly fuzzy look. This was done in 1814.

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Overview

Mary Dawson Turner’s 1814 etching depicts Lady Maria Hooker at the age of seventeen. Executed in black and white, the work presents a youthful figure rendered with light, almost sketch‑like lines, emphasizing the softness of her curls and the delicate drapery of her loose, thin‑strapped dress.

Subject & Meaning

The portrait captures a moment of adolescent poise, focusing on the sitter’s face and shoulders with subtle shading that suggests a gentle, introspective demeanor. While no narrative is explicit, the intimate scale and tender treatment reflect contemporary conventions of presenting young women of the gentry in a modest, genteel manner.

Technique & Style

Turner employed a wet‑ground etching process, allowing ink to pool in watery patches that create a faintly blurred, atmospheric quality. This method produces soft edges and a slightly fuzzy texture, distinguishing the work from more sharply defined line etchings and lending the portrait a sense of immediacy and delicacy.

History & Provenance

Created in 1814, the print is part of Mary Dawson Turner’s early oeuvre, produced during a period when she was establishing herself as a printmaker. The work was likely commissioned by the Hooker family, serving both as a personal likeness and as a testament to the sitter’s social standing within early‑19th‑century English society.

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.