Who painted H Beard Print Collection?

H Beard Print Collection was painted by Unknown in 1.

Where can I see H Beard Print Collection?

H Beard Print Collection is held by Victoria and Albert Museum.

What movement is H Beard Print Collection?

H Beard Print Collection is associated with Romanticism.

Artwork

H Beard Print Collection

Unknown , 1

H Beard Print Collection is a print by the Romanticist artist Unknown. It dates from 1 and is held in the collection of the Victoria and Albert Museum. This coloured etched print, dated 1 September 1788, captures a theatrical moment featuring two figures: a gentleman identified as Mr.

About this work

Overview

This coloured etched print, dated 1 September 1788, captures a theatrical moment featuring two figures: a gentleman identified as Mr. Bannister, dressed in a coupee, and a lady, Mrs. Jourdan, depicted as the Virgin Unmask'd. Produced by the London publisher William Holland, the work belongs to the Harry Beard collection and serves as a visual record of an 18th‑century stage scene.

Subject & Meaning

The image presents a staged tableau in which Mr. Bannister assumes the role of a coupee—a fashionable, short‑haired male character—while Mrs. Jourdan appears as the Virgin Unmask'd, a motif drawn from contemporary drama. The composition emphasizes the moment of revelation, a common theatrical device that underscores themes of identity and disguise.

Technique & Style

Executed as a coloured etching, the print combines line work with hand‑applied pigments to achieve a vivid surface. The etching technique allows fine detail in the costumes and facial expressions, while the added colour enhances the visual impact, reflecting the popular aesthetic of late‑Georgian theatrical prints.

History & Provenance

Printed by William Holland, a prominent London publisher of theatrical imagery, the work first appeared in 1788. It later entered the Harry Beard collection, a private assemblage of 18th‑century prints, where it remains documented as part of the collection’s holdings.

Context

During the late 1700s, printed depictions of stage productions were widely circulated, catering to audiences eager to relive performances. This print exemplifies that trend, offering a snapshot of contemporary costume and drama, and illustrates the interplay between visual and performing arts in Georgian London.