Artwork

Text, Folio 103 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 103 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, Folio 103 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, Folio 103 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art. This narrow wooden strip, measuring roughly a foot in length, bears a continuous line of black ink characters in a compact script.

About this work

Overview

This narrow wooden strip, measuring roughly a foot in length, bears a continuous line of black ink characters in a compact script. The surface is a light brown, smoothed to accommodate the dense text, which runs without spaces from one end to the other. Two small perforations mark each extremity of the piece, suggesting its original attachment to a larger codex.

Subject & Meaning

The inscription is a segment of the Ashtasahasrika Prajnaparamita‑sutra, a Buddhist scripture known as the Perfection of Wisdom in Eight Thousand Lines. The passage forms part of a larger doctrinal exposition on emptiness and the nature of enlightenment, central to Mahayana thought.

Technique & Style

The text was rendered with a fine brush using black ink on the wooden substrate, a technique typical of early East Asian manuscript production. The script’s minute size and lack of spacing indicate a scribe’s effort to maximize limited material, a common practice in the transmission of sacred texts.

History & Provenance

Originating from a manuscript tradition that circulated across Central and East Asia, the fragment eventually entered the collection of the Cleveland Museum of Art. Its precise dating and place of manufacture remain uncertain, but it reflects the broader historical movement of Buddhist texts along Silk Road routes.

Context

During the period when this sutra was widely copied, wooden tablets served as portable carriers for religious instruction, especially in monastic settings. The Ashtasahasrika Prajnaparamita‑sutra was revered for its comprehensive articulation of the perfection of wisdom, making such portable excerpts valuable for study and recitation.

Legacy

Fragments like this illustrate the material culture of Buddhist textual transmission and the meticulous craftsmanship of scribes. They provide scholars with insight into the dissemination of Mahayana doctrine and the adaptation of writing materials to suit devotional needs.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.