Artwork

Text, Folio 118 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 118 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, Folio 118 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, Folio 118 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The object is a narrow wooden printing block, measuring roughly a foot in length, whose surface is densely incised with rows of angular characters. The carvings form continuous text without any illustrative elements, and the wood bears a warm, aged patina. Two small metal pins secure the block at its centre, indicating its original assembly as a functional printing tool.

Subject & Meaning

The incised script reproduces a passage from the Ashtasahasrika Prajnaparamita‑sutra, a key Mahāyāna Buddhist text known as the Perfection of Wisdom in Eight Thousand Lines. The selected verses convey doctrinal teachings on emptiness and the nature of enlightenment, reflecting the religious purpose of the manuscript from which the block derives.

Technique & Style

Artisans hand‑carved each character into the wood using fine tools, achieving uniform, sharp strokes that facilitated consistent impression. The block’s design follows the traditional East Asian woodblock printing method, where a single, meticulously prepared matrix could be inked and pressed repeatedly onto paper or fabric.

History & Provenance

The block originates from a manuscript production workshop that created copies of the Prajnaparamita sutra, likely in the late medieval period of East Asia. It entered the collection of the Cleveland Museum of Art through acquisition in the early twentieth century, where it has been conserved as an example of early printing technology.

Context

During the centuries when hand‑copied sutras were common, woodblock printing revolutionized the dissemination of Buddhist teachings. Blocks such as this enabled the mass production of sacred texts, supporting monastic education and lay devotion across the region.

Legacy

As a surviving example of a functional printing matrix, the block offers insight into the material culture of Buddhist textual transmission. Its preservation allows scholars to study the interplay of religious practice, technological innovation, and artistic craftsmanship in pre‑modern East Asia.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.