Artwork

Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

This artifact is a narrow wooden folio, numbered 125 (verso), originating from a manuscript of the Ashtasahasrika Prajnaparamita-sutra, a Buddhist text on the Perfection of Wisdom. The piece features a divided text in an ancient Indian script, resembling Sanskrit, written in dark ink on light brown wood, with small holes indicating prior attachment.

Subject & Meaning

The subject matter pertains to Buddhist scripture, specifically the Prajnaparamita-sutra, which focuses on the perfection of wisdom, a central concept in Mahayana Buddhism. The text's content would have been significant for spiritual and philosophical study within Buddhist communities.

Technique & Style

The manuscript exhibits a traditional ancient Indian script, likely written with a reed or bamboo stylus, using dark brown or black ink. The division of the text into sections with varying line counts suggests a deliberate organizational or compositional approach.

History & Provenance

While the exact origin and age are not specified, the material (wood), script, and content suggest an ancient Indian provenance. The small holes imply it was once part of a bound or mounted manuscript. Detailed provenance information is not provided.

Context

This folio would have been part of a larger manuscript used for study, ritual, or ceremonial purposes within a Buddhist monastic or scholarly setting in ancient India. Its wooden medium distinguishes it from more common parchment or paper manuscripts found in other regions.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.