Artwork

Text, folio 168 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, folio 168 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, folio 168 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, folio 168 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art. The object is a long, narrow wooden block bearing rows of finely incised characters.

About this work

Overview

The object is a long, narrow wooden block bearing rows of finely incised characters. Every line of text is filled with sharp, uniform letters that cover the entire surface, giving the block the appearance of a giant stamp. The wood shows signs of age, including small holes and wear where the carved letters have fractured over time.

Subject & Meaning

The engraved script reproduces a passage from the Buddhist scripture known as the Perfection of Wisdom in Eight Thousand Lines, or the Ashtasahasrika Prajnaparamita‑sutra. This text is a central Mahayana treatise that expounds the concept of emptiness and the path to enlightenment, and the block was intended to disseminate its teachings.

Technique & Style

Carvers used a fine, pointed tool to cut each character into the wood, creating a uniform, block‑letter style suited for repeated impression. The precision of the incisions allowed for clear, legible prints on paper or fabric, while the block’s narrow shape facilitated the production of long textual passages in a single impression.

History & Provenance

The block originates from a tradition of woodblock printing in East Asia, where such devices were employed to reproduce religious texts for monastic and lay audiences. It is currently held by the Cleveland Museum of Art, where it is displayed as part of the museum’s collection of printed media and Buddhist artifacts.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.