Artwork
Text, Folio 23 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 23 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art. Text, Folio 23 (verso), is a narrow, hand-written page from an ancient manuscript.
About this work
Overview
Text, Folio 23 (verso), is a narrow, hand-written page from an ancient manuscript. The text is divided into three distinct sections, with the middle section containing the most lines, flanked by two shorter sections above and below.
Subject & Meaning
The text appears to be a religious or philosophical manuscript, likely of Eastern origin. Its formal layout and organization imply a ceremonial or sacred purpose, consistent with religious scriptures.
Technique & Style
The text is rendered in dark brown or black ink on a light brown or beige background. The unfamiliar script is carefully arranged, with varying line counts in each section, suggesting a deliberate, traditional compositional approach.
History & Provenance
Originally part of the Ashtasahasrika Prajnaparamita-sutra (Perfection of Wisdom in Eight Thousand Lines), this folio's specific historical context and ownership history prior to its acquisition are not detailed here.
Context
As part of a Prajnaparamita-sutra manuscript, this folio is rooted in Mahayana Buddhist scripture, emphasizing the perfection of wisdom. Such texts were highly valued for their spiritual teachings.
Legacy
Now housed at The Cleveland Museum of Art, this folio serves as an educational resource, offering insights into ancient Eastern religious and philosophical traditions, as well as historical manuscript practices.
Artist & collection
Domestic Scene
Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice
The Nymph of Fontainebleau
Portrait of a Woman
Madonna and Child with Saints in the Enclosed Garden
Venus and Minerva
Family Group of Four on Sofa
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
Text, Folio 24 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 27 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 88 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 64 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, folio 179 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 28 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 25 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, folio 162 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 135 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)