Artwork

Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The object is a narrow wooden leaf from a medieval Buddhist manuscript, specifically the Ashtasahasrika Prajnaparamita‑sutra, or the Perfection of Wisdom in Eight Thousand Lines. The surface is densely covered with uniformly sized black characters arranged in tight rows, and two small circular perforations near the upper edge suggest its original binding method.

Subject & Meaning

The inscribed text comprises a portion of the Prajnaparamita sutra, a central Mahayana scripture that expounds the concept of emptiness and the path to enlightenment. As a devotional and instructional work, the passage would have been used for study, recitation, or ritual chanting within monastic settings.

Technique & Style

The script is executed in a consistent hand, likely using a fine brush or pen dipped in black pigment, producing precise, regular strokes. The wood panel, prepared and possibly lacquered, provides a durable substrate, while the uniformity of the characters reflects the disciplined copying practices of monastic scribes.

History & Provenance

Originating in the medieval period, the leaf reflects the spread of Mahayana Buddhism across Asia. The piece entered the collection of the Cleveland Museum of Art, where it is catalogued as folio 47 (verso) of the manuscript, indicating it was part of a larger codex that has been partially disassembled.

Context

Manuscripts of the Prajnaparamita were widely reproduced in monasteries to support doctrinal study and liturgical use. The use of wooden leaves, rather than paper or silk, points to a regional preference for more robust materials, possibly in a climate where paper was less durable.

Legacy

Such fragments offer scholars insight into the transmission of Buddhist texts, scribal conventions, and material culture of medieval monastic communities. Their preservation allows ongoing research into the textual variations and artistic practices of Buddhist manuscript production.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.