Artwork

Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14
Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), by Unknown, unspecified, 14

Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 14 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The work is a narrow, horizontal painted sheet, catalogued as Folio 93 (recto) from a manuscript of the *Perfection of Wisdom in Eight Thousand Lines* (also known as the *Ashtasahasrika Prajnaparamita-sutra*). Its surface is a light‑brown ground on which dense black script is arranged in a regular grid across three equal sections.

Subject & Meaning

The inscription consists of Sanskrit or a closely related Indic script, presenting the Buddhist sutra’s verses. By reproducing the sacred text in a visual format, the piece serves both as a devotional object and as a means of transmitting the doctrinal content of the Prajnaparamita tradition.

Technique & Style

The calligraphy is executed in a flowing hand, characterized by curved strokes and ornamental flourishes. The text is tightly packed, with each line overlapping the one beneath, and organized into a uniform grid that imposes order on the otherwise fluid script, highlighting a balance between structure and movement.

History & Provenance

This folio originates from a larger manuscript of the *Ashtasahasrika Prajnaparamita-sutra*, a text that circulated widely across the Buddhist world from the early medieval period onward. The specific provenance of this individual leaf is not detailed, but it reflects the manuscript production practices of its time.

Context

Manuscript culture in Buddhist regions often combined textual transmission with artistic presentation. The use of a painted background and a carefully arranged grid demonstrates the integration of visual aesthetics with religious scholarship, a hallmark of many Buddhist scriptoria.

Legacy

Works such as this illustrate the historical importance of calligraphic art in preserving and disseminating Buddhist teachings. They provide contemporary scholars with insight into the material conditions of textual transmission and the visual strategies employed to render sacred literature accessible.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.