Artwork
The Smith, Passage du Dragon

The Smith, Passage du Dragon is an ink print by the Impressionist artist James McNeill Whistler. It dates from 1894 and is held in the collection of the National Gallery of Art.
About this work
Overview
James McNeill Whistler’s lithograph titled “The Smith, Passage du Dragon” presents a solitary figure seated at a table within a dim interior. The composition is framed by an open doorway that reveals part of the room, while a dog lies calmly outside the entrance. The work is executed in black on laid paper, emphasizing tonal contrast and a restrained palette.
Subject & Meaning
The central figure appears absorbed in quiet activity, suggesting a moment of personal contemplation. The presence of the dog, positioned just beyond the threshold, adds a subtle domestic element, reinforcing a sense of solitude and introspection. The muted lighting and limited space focus attention on the figure’s stillness, inviting viewers to consider the interior’s private atmosphere.
Technique & Style
This approach reflects his broader interest in tonal harmony and the atmospheric qualities characteristic of his late nineteenth‑century oeuvre.
Created through lithography, the image relies on the artist’s manipulation of black ink on a textured laid paper surface. Whistler’s handling of line and wash produces delicate gradations of tone, allowing light and shadow to define form without overt detail. This approach reflects his broader interest in tonal harmony and the atmospheric qualities characteristic of his late nineteenth‑century oeuvre.
History & Provenance
The lithograph was produced during Whistler’s mature period, when he frequently explored urban and domestic scenes through printmaking. It was issued in a limited edition, typical of his practice of disseminating works beyond the canvas. The piece has since been held in several public collections, tracing a provenance that underscores its relevance within Whistler’s print series.
Artist & collection
Artist
James Abbott McNeill Whistler was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom.
















