Jutta Koether

Koether's paintings are exercises in color, line, form and pattern and often feature text. Her style has precedent in the work of Sigmar Polke and Kenny Scharf. She is also inspired by artists and intellectuals who have created an alternative to mainstream culture, including underground filmmaker Kenneth Anger and musician Patti Smith. She has collaborated with Sonic Youth’s Kim Gordon on a number of projects, for example Her Noise at Tate Modern in 2005. Koether's work is also affiliated with Martin Kippenberger. Their relationship began in Cologne when she interviewed him for Spex magazine. Although her work is not as grandiose as Kippenberger, both their works engage with the dense history of European, and more specifically, German painting. For much of the 1990s, she mixed graffiti-inspired brushwork, fluorescent colors (especially bright pink), fragmented images and assorted quotations on surfaces that had a vibrant, all-over undergrowth. Her solo show at Pat Hearn Gallery, New York, in 1997 featured a soundtrack by the artist, accompanied by Tom Verlaine. Her visionary work, according to The New York Times art critic Roberta Smith, sees painting as multipurpose. Koether’s 2009 show entitled Lux Exterior at Reena Spaulings further explored a common thematic in her work, the relation of painting with other aspects of theoretical and counter culture. Koether’s 2009 show was discussed in David Joselit’s essay entitled Painting Beside Itself. The exhibition, which included a painting entitled Hot Rod (after Poussin) (2009) along with sculptural found objects and a series of three performances, was noted by Joselit as a “sophisticated response to the question which I began [this essay]: How does a painting belong to a network?” In spring 2012, Koether took part in the three-month exposition of Whitney Biennial. Around that time, she conceived two large series of works that respond directly to the French artist Nicolas Poussin, a reinterpretation of his The Seven Sacraments reimagined as a series of installations, and Seasons (2012), a response to Poussin’s The Four Seasons. Since 1985, Koether has also worked as a reviewer and editor for many magazines and journals such as Spex, Texte zur Kunst, Flash Art and Artscribe. Koether has taught at many institutions, including Columbia University, the Academy of Fine Arts in Berlin, Yale University, and Bard College. From 2010 until 2024 she was a professor at the Hochschule für bildende Künste Hamburg.

2024

1982,1983,1984, Galerie Buchholz, New York 2022

Black Place, Artium Museoa, Museum of Contemporary Art of the Basque Country, Spain 2014

Maquis, Galerie Francesca Pia, Zürich A Moveable Feast - Part XV, Campoli Presti, Paris Champrovement, Reena Spaulings, New York 2013

Un établissement aux Folies-Koethère, Établissement d'en face projects, Brussels Cycle 1. Jutta Koether. Viktoria, Luise, Isabelle, Praxes, Berlin The Double Session, Campoli Presti, London Seasons and Sacraments, Arnolfini, Bristol, United Kingdom Seasons and Sacraments, Dundee Contemporary Arts, Dundee, United Kingdom 2012

The Fifth Season, Bortolami Gallery, New York 2011

Mad Garland, Campoli Presti, Paris The Thirst, Moderna Museet, Stockholm Berliner Schlussel, Galerie Daniel Buchholz, Berlin 2009

Van Abbemuseum, Eindhoven Lux Interior, Reena Spaulings Fine Art, New York Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles 2008

New Yorker Fenster, Galerie Daniel Buchholz, Köln No.5, Kunsthall Landmark, Bergen JXXXA LEIBHAFTIGE MALEREI, Sutton Lane, Paris Touch and Resist, Song Song, Wien Galerie Francesca Pia, Zürich 2007

Anderungen aller Art, Kunsthalle Bern, Bern 2006

Love In a Void, Akademie der Bildenden Künste, Vienna Metalist Moment, Performance, Herald St, London 2005

Very Lost Highway, Simultanhalle, Köln extreme harsh, Ausstellungsraum Ursula Werz, Tübingen I Is Had Gone, Thomas Erben Gallery, New York Her Noise, South London Gallery, London Blankness is not a Void, Standard Oslo, Oslo Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London 2004

Curious Crystals of Unusual Purity, P.S.1 Institute for Contemporary Art, New York City Fresh Aufhebung - Künstlerisches Interesse am philosophische verneinten Wunderglauben, Kölnischer Kunstverein, Köln Galerie Meerrettich, Berlin Fresh Aufhebung, 271 Grand Street, New York 2003

Desire Is War, Galerie Meerrettich, Berlin The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York 2002

Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York Galerie Daniel Buchholz, Köln 2000

Galerie Daniel Buchholz, Köln zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Galerie Freund, Wien 1999 1998 Brushholder Value, Westfälischer Kunstverein, Münster 1994 Dysfunction USA, Arthur Rogers Gallery, New Orleans 1993 Parralax View: Cologne-New York, P.S. 1 Institute for Contemporary Art, New York 1987 Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart