Peter și colaboratorii Brueghel cel Bătrân

Peter Bruegel painted crowds the way most of us remember holidays—everyone jostling in the same space, same time, same weather. Look at *Uciderea pruncilor* and you’ll feel the crush of bodies, the panic of parents, the indifferent space between the soldiers and the children. It’s not just a biblical scene; it’s a village square on market day turned upside down. Slide into Gallery Tiles with that painting and you’ll start spotting his fingerprints everywhere: that smirk in a Dutch street scene, that weirdly joyful skeleton at the feast.