Sándor István Gati- Szatmári

This printmaker left us a single self-portrait titled “Autoportret,” a spare, black-and-white image that shows what portrait engraving looked like in mid-20th-century Central Europe. Without movement labels or further works to place, the print stands on its own: a quiet mirror held up by the artist. See it in the bundle and tap “Autoportret” to zoom in on the linework; each stroke is visible enough to count.