Artist
Joseph Mellor Hanson
British, 1900–1963
Joseph Mellor Hanson was a British British Romanticism artist. 1 work is cataloged here, principally at Museum of Modern Art.
Overview
Joseph Mellor Hanson (1900-1963) was a British-born modernist painter who worked primarily in figure painting, with an abstract approach. His work can be placed in the tradition of geometric abstraction.
Education
Hanson was born on the family farm in the West Riding of Yorkshire, England. He began studying art at fifteen and took evening drawing classes to prepare him for admission to Halifax Technical College. He received a McRae Scholarship at nineteen to support his studies and graduated in 1924.
Training
Hanson studied in Paris from 1925 to 1935 with Othon Friesz and was his first student; he subsequently became Friesz’ assistant in his studio. By 1928, Hanson had progressed far enough to participate in the Salon des Artistes Indépendants and presented a solo exhibition at the Galerie “Mots et Images”. He continued to paint and exhibit throughout his life. During his years in Paris, Hanson was associated with several influential artists of the period, Andre L’Hôte, Fernand Léger, Jean Hélion, as well as Othon Friesz. He was also closely associated with Amédée Ozenfant, acting from 1927 to 1935 as his assistant in the execution of murals and helping with the instruction of pupils in his private art academy.
Career
In 1935 Hanson returned to England, and after a year in London, he taught until 1938 in a small grammar school in Shropshire. In 1939 he settled in New York City and, in 1945, began teaching at Cornell University. At his retirement he was a professor of art in the College of Architecture, which is now a part of the Cornell University College of Architecture, Art and Planning. Hanson worked in a highly disciplined style and left behind a relatively small but distinguished body of work. A large portion of his art was donated to the Andrew Dickson White Museum of Art, now the Herbert F. Johnson Museum of Art at Cornell University as a bequest of the artist. His work was explored by Paul Ziff in his 1962 monograph on the artist published by the Cornell University Press.
Exhibitions
Galerie "Mots et Images," Paris, France 1928 Société des Artistes Indépendants (a.k.a. Salon des Sur-Indépendants) Paris, France 1928-1929-1930 Galerie Aubier, Paris, France 1929 Galerie Jeanne Castel, Paris, France 1935 Wertheim Gallery, London, England 1937-1938 Bankfield Museum, Halifax, England 1938 Passedoit Gallery, New York, New York, U.S. 1941-1957 The Carnegie Institute, Pittsburgh, Pennsylvania, U.S. 1943-1950 Art Institute of Chicago, Chicago, Illinois, U.S. 1950 Toledo Museum of Art, Toledo, Ohio, U.S. 1950 Cranbrook Academy of Art, Bloomfield Hills, Michigan, U.S. 1953 Museum of Modern Art, 25th Anniversary, New York, New York, U.S. 1954 Nebraska Art Association, Lincoln, Nebraska, U.S. 1954 Corcoran Gallery of Art, Washington, D.C., U.S. 1959 Herbert F. Johnson Museum of Art (Formerly the A.D. White MuseumW) Ithaca, New York, U.S. 1960 source:
Museum collections
Bankfield Museum, Halifax, England Museum of Modern Art, New York, New York U.S. Georgia Museum of Art, Athens, Georgia, U.S. National Museum Cardiff, Cardiff, Wales The Hepworth Wakefield, Yorkshire, England William Rockhill Nelson Gallery of Art, Kansas City, Missouri, U.S. Herbert F. Johnson Museum of Art, Ithaca, New York, U.S. source:
Collections represented
Museum
Artists in a similar vein
Artist
