Who painted Vid udsigt. Mols?

Vid udsigt. Mols was painted by Unknown in 1936.

Where can I see Vid udsigt. Mols?

Vid udsigt. Mols is held by Statens Museum for Kunst.

Artwork

Vid udsigt. Mols

Unknown , 1936

Vid udsigt. Mols is a photography by Unknown. It dates from 1936 and is held in the collection of the Statens Museum for Kunst. Created in 1936 by the artist known as 308_person, this work titled Vid udsigt.

About this work

Overview

Created in 1936 by the artist known as 308_person, this work titled Vid udsigt. Mols is part of the collection of the Museum of Ethnography. The image presents a calm countryside scene, where gentle hills stretch beneath an expansive sky, inviting the viewer into a quiet, open space.

Subject & Meaning

The composition shows rolling terrain rendered in muted earth tones, punctuated by dark green shrubs that break the monotony of the hills. A distant body of water recedes into the background, enhancing the sense of depth. The soft blue sky, lightly veiled with white clouds, contributes to an overall atmosphere of tranquility and contemplation.

Technique & Style

The artist employs a restrained palette of browns, greens, and blues, allowing subtle tonal variations to define form and space. Broad, smooth brushstrokes suggest the gentle slopes, while finer touches delineate foliage and cloud edges. The balance between expansive sky and grounded land reflects a compositional emphasis on harmony and equilibrium.

History & Provenance

Since its completion in the mid‑1930s, Vid udsigt. Mols has been held by the Museum of Ethnography, where it remains accessible to the public. The work’s acquisition details are not widely documented, but its presence in the museum’s holdings underscores its relevance to the institution’s broader collection of regional visual culture.

Context

The painting emerges from a period when Scandinavian artists often explored rural landscapes to articulate national identity and the relationship between people and nature. By focusing on an unpopulated vista, the work aligns with contemporary trends that favored serene, idealized depictions of the countryside over urban or industrial subjects.