Artwork
Untitled
Untitled is a poster by Ige Adebari. It dates from 1950 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
This 1950 poster, designed by Adebari Ige, promotes the dance performance *Horseplay* staged at the Oval House car park in Kennington, London, from May 30 to June 4. The printed piece combines a photographic element with typographic information, serving as the primary visual announcement for the event.
Subject & Meaning
The poster’s text frames *Horseplay* as a kinetic encounter, describing participants as "lovers, dancers, fighters" drawn into a "frenzy of the tango." The language suggests a blend of romance, conflict, and improvisation, reflecting the experimental nature of the performance.
Technique & Style
Rendered in stark black and white, the design features a map‑like silhouette with three small rectangular forms on the left and minimal white line work at the bottom. The composition relies on high contrast and sparse typography, creating a bold, minimalist visual impact typical of mid‑century avant‑garde promotional graphics.
History & Provenance
Created in 1950, the poster was produced in direct association with the *Horseplay* production. It later entered the collection of the Victoria and Albert Museum, where it is preserved as an example of post‑war British performance advertising.
Context
*Horseplay* was part of a wave of experimental dance events emerging in London’s post‑war cultural scene, often staged in unconventional venues such as car parks. The Oval House, known for its community‑driven arts programming, provided a public space that blurred the boundaries between everyday environment and performance arena.
Artist & collection
Artist
Ige Adebari spent his days bending light and text into posters that looked like they’d blow away in the Lagos breeze.
