Artwork
The Adoration of the Shepherds

The Adoration of the Shepherds is an oil painting by the Early Baroque Italian artist Antonio de Lanchares. It dates from 1612 and is held in the collection of the Museo del Prado.
About this work
Overview
Antonio de Lanchares, a Spanish painter active in early 17th‑century Madrid, completed the oil painting *The Adoration of the Shepherds* in 1612. The work, now held by the Museo del Prado, presents a nocturnal Nativity scene in the manner of early Baroque Italian religious imagery.
Subject & Meaning
The composition centers on a modestly dressed woman cradling the infant Jesus, surrounded by shepherds and onlookers whose gestures convey reverence. Two angels hover above, bearing a banner with an inscription, reinforcing the sacred nature of the moment and the adoration of the newborn Christ.
Technique & Style
Lanchares employs pronounced chiaroscuro, juxtaposing warm, illuminated flesh tones against a dark, earthy backdrop of blues and browns. The soft glow on the mother’s face and the subtle modeling of the angels’ wings create depth, while the overall palette emphasizes the intimate, devotional atmosphere.
History & Provenance
Born into a family of painters and jewellers and trained by Eugenio Cajés, Lanchares left few surviving works, among them a *Jesus in Glory* for a Jesuit church and an *Ascension of Christ*. *The Adoration of the Shepherds* entered the Prado’s collection, where it remains on display.
Context
The painting reflects the diffusion of Italian Baroque motifs into Spanish art during the early 1600s, a period when religious subjects were favored by ecclesiastical patrons. Lanchares’ limited oeuvre demonstrates the cross‑cultural artistic currents shaping Madrid’s visual culture at the time.
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Artist & collection
Artist
Antonio de Lanchares (1586/1590 – 1630/1640) was a Spanish painter, active during the Baroque period, mainly in Madrid and surrounding towns.











