Artwork
Lithographic Album of 1837: Half-Battalion at Left…Aim!...Fire!...Load

Lithographic Album of 1837: Half-Battalion at Left…Aim!...Fire!...Load is a print by the Romanticist artist Auguste Raffet. It dates from 1836 and is held in the collection of the Cleveland Museum of Art.
About this work
The text below says it’s from the Battle of Waterloo in 1815, but this image was made much later, in 1836.
This sketch shows soldiers in a chaotic moment on a battlefield. Some are standing, others are down, and horses and guns are scattered around. The scene looks messy and dark, with smoke or dust in the air.
The text below says it’s from the Battle of Waterloo in 1815, but this image was made much later, in 1836. The artist used quick, sketchy lines to show the action clearly.
Next, check out Romanticism to see how artists used drama and emotion in their work.
Overview
Auguste Raffet’s lithographic sheet, titled *Lithographic Album of 1837: Half‑Battalion at Left…Aim!...Fire!...Load*, was produced in 1836. The work belongs to a series of military prints that document French infantry practices, using the lithographic medium to capture a moment of action on a battlefield.
Subject & Meaning
The image portrays a disordered combat scene, with soldiers in various poses, fallen comrades, scattered horses and artillery, and a haze of smoke or dust. Although a caption links the picture to the 1815 Battle of Waterloo, the composition functions more as a generic illustration of the chaos and discipline of early‑nineteenth‑century warfare.
Technique & Style
Raffet employs rapid, gestural lines characteristic of lithographic sketching, allowing him to convey movement and tension without detailed modeling. The stark contrasts and loose rendering emphasize immediacy, aligning the print with the broader Romantic interest in dramatic, emotionally charged subjects.
History & Provenance
Trained under the veteran lithographer Nicolas Toussaint Charlet, Raffet applied his skills to a series of retrospective works that looked back on the Napoleonic era. This particular sheet was issued as part of an 1837 album, intended for an audience interested in military history and visual records of past campaigns.
Context
The title’s enumeration of drill commands reflects the period’s focus on regimented infantry tactics and the growing popularity of printed visual documentation of military life. Raffet’s prints, like this one, contributed to a visual culture that both commemorated and analyzed the experience of war during the post‑Empire years.
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Artist & collection
Artist
Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire.

















