Artwork
Untitled
Untitled is an ink print by Brian Fisher. It dates from 1967 and is held in the collection of the Museum of Modern Art.
About this work
Overview
This screenprint, produced in 1967, is part of a portfolio by Brian Fisher. The work employs stark contrasts of black, white, and gray to depict two elongated, undulating forms resembling draped fabric. A small rectangular interruption in the composition disrupts symmetry, while repetitive linear patterns generate an illusion of spatial depth on a flat surface.
Subject & Meaning
The print presents abstract, curvilinear shapes that evoke draped textiles or organic folds. The interplay of sharp, rhythmic lines and subtle tonal gradations suggests volume without literal representation. The central rectangle introduces an element of tension, challenging the viewer’s perception of balance and form within an otherwise harmonious arrangement.
Technique & Style
Fisher utilized screenprinting to achieve precise, geometric patterning with crisp edges and uniform ink application. The method allowed for controlled layering of black and gray tones, enhancing the work’s dimensional illusion. The style aligns with mid-20th-century abstraction, emphasizing repetition, structure, and optical effects over representational accuracy.
History & Provenance
Created in 1967, this print belongs to a portfolio of thirteen screenprints, one of which includes hand additions. It is part of the collection of The Museum of Modern Art. Fisher’s work from this period reflects broader artistic explorations of printmaking as a medium for geometric abstraction.
Context
The print emerged during a period when artists increasingly experimented with screenprinting to achieve precision and reproducibility. Fisher’s focus on abstract forms and optical effects parallels trends in Op Art and Minimalism, though his approach retains a distinct emphasis on organic curvature and textural allusion.
Artist & collection
