Who painted Ryno et Hermangarde (Ryno and Hermangarde)?

Ryno et Hermangarde (Ryno and Hermangarde) was painted by Félix-Hilaire Buhot in 1847.

Where can I see Ryno et Hermangarde (Ryno and Hermangarde)?

Ryno et Hermangarde (Ryno and Hermangarde) is held by National Gallery of Art.

What movement is Ryno et Hermangarde (Ryno and Hermangarde)?

Ryno et Hermangarde (Ryno and Hermangarde) is associated with Romanticism.

Artwork

Ryno et Hermangarde (Ryno and Hermangarde)

Félix-Hilaire Buhot , 1847

Ryno et Hermangarde (Ryno and Hermangarde) is an ink print by the Romanticist artist Félix-Hilaire Buhot. It dates from 1847 and is held in the collection of the National Gallery of Art.

About this work

Overview

Ryno et Hermangarde is a print created by Félix-Hilaire Buhot in 1847, utilizing a combination of etching, drypoint, softground etching, salt lift, aquatint, and roulette techniques on wove paper in black ink.

Subject & Meaning

The print depicts a dynamic scene of a knight on a galloping horse, sword raised, set against a turbulent backdrop of swirling clouds and ominous dark lines. The title suggests a narrative involving two characters, Ryno and Hermangarde, though the specific story or context remains implicit in the image.

Technique & Style

Buhot's innovative use of multiple printmaking techniques achieves a layered, expressive quality. The central image is surrounded by loose, sketchy marks at the paper's edges, evoking a sense of movement or wind, and giving the print the appearance of a vibrant, stormy sketchbook page.

History & Provenance

Created in 1847, the print is signed 'Buhot' within the image. Detailed provenance information is not provided in the available sources.

Context

Understanding the full context of Ryno et Hermangarde benefits from knowledge of 19th-century printmaking techniques, particularly the experimental layering of methods like etching, aquatint, and roulette, which were valued for their ability to capture nuanced textures and moods.

Legacy

The legacy of Ryno et Hermangarde is not explicitly outlined in the provided information, though its use of combined printmaking techniques reflects Buhot's contribution to the evolution of etching practices in the 19th century.