Artwork

Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes, comme trophées, frises, masques, feuillages, et autres etc.

Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes, comme trophées, frises, masques, feuillages, et autres etc., by D. Antoine Pierretz, 1648
Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes, comme trophées, frises, masques, feuillages, et autres etc., by D. Antoine Pierretz, 1648

Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes, comme trophées, frises, masques, feuillages, et autres etc. is a print by the Baroque artist D. Antoine Pierretz. It dates from 1648 and is held in the collection of the Victoria and Albert Museum. This 1648 print, titled 'Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes', is part of a series of engravings by D.

About this work

It shows how decorative ideas spread in the 1600s, especially from ancient Greek sources.

This is a 1648 print by D. Antoine Pierretz. It’s a detailed engraving meant to show off decorative motifs like trophies and friezes. These ornament prints were like design handbooks for craftsmen back then.

Artisans used this kind of print to copy classical styles in their own work. It shows how decorative ideas spread in the 1600s, especially from ancient Greek sources.

Check out the Victoria and Albert Museum for more Baroque prints.

Overview

This 1648 print, titled 'Recherche de plusieurs beaux morceaux d'ornemens antiques et modernes', is part of a series of engravings by D. Antoine Pierretz. It showcases various decorative motifs characteristic of the classical style prevalent during the mid-17th century.

Subject & Meaning

The print features ornamental designs, including trophies, friezes, and foliage, likely inspired by ancient Greek sources. These motifs were intended to serve as models for artisans and craftsmen to emulate in their work.

Technique & Style

Executed as a detailed engraving, the print exemplifies the classical style popular in the 17th century. The level of detail reflects the technical skill of Pierretz as both designer and engraver.

History & Provenance

Originally part of a set of 33 engravings, the museum's collection includes 25 plates from this series. This particular print, being plate number 12, demonstrates the spread of decorative styles through printed designs.

Context

Ornament prints like this one played a crucial role in disseminating decorative ideas among craftsmen, influencing the development of various art forms and styles during the 1600s.

Artist & collection

Artist

D. Antoine Pierretz

This Parisian engraver spent years hunched over antique ruins, tracing the swirls of old friezes until his hands cramped.