Who painted Mand i ringkrave og baret?

Mand i ringkrave og baret was painted by Daniel de Koninck in 1698.

Where can I see Mand i ringkrave og baret?

Mand i ringkrave og baret is held by Statens Museum for Kunst.

What movement is Mand i ringkrave og baret?

Mand i ringkrave og baret is associated with Rococo painting.

Artwork

Mand i ringkrave og baret

Daniel de Koninck , 1698

Mand i ringkrave og baret is an unspecified painting by the Rococo painting artist Daniel de Koninck. It dates from 1698 and is held in the collection of the Statens Museum for Kunst.

About this work

The painting's style is formal and somber, with attention to detail in the man's clothing and accessories.

This painting features a man in a dark, formal outfit. He wears a black hat and a black turtleneck with a silver chain across his shoulder. The background is a mottled grey, and the man's face is partially in shadow.

The man's expression is neutral, and he looks straight ahead. The painting's style is formal and somber, with attention to detail in the man's clothing and accessories.

This painting is a great example of a portrait from the 17th century. To learn more about similar works, check out the artist Daniel de Koninck.

Overview

Mand i ringkrave og baret is a portrait painting by Daniel de Koninck, dated to 1698, currently in the collection of the Statens Museum for Kunst.

Subject & Meaning

The painting depicts a man in formal, dark attire, including a black baret and a turtleneck with a silver chain, conveying an air of solemnity through his neutral expression and partially shadowed face.

Technique & Style

Executed in a formal and somber style, the work showcases meticulous attention to detail in the rendering of the subject's clothing and accessories against a muted, grey background.

History & Provenance

Created in 1698 by Daniel de Koninck, the painting is now part of the Statens Museum for Kunst's collection, though specific acquisition details are not provided here.

Context

This portrait exemplifies 17th-century European portraiture, with its subject's attire and the painting's overall aesthetic reflecting the period's formal traditions.

Legacy

While the painting's individual impact is not detailed, it contributes to the broader understanding of 17th-century portraiture and the oeuvre of Daniel de Koninck.