Artwork
Portrait of Caspar Commelin, bookseller, newspaper publisher and author of the official history of Amsterdam 'Beschrijvinghe van Amsterdam'of 1693

Portrait of Caspar Commelin, bookseller, newspaper publisher and author of the official history of Amsterdam 'Beschrijvinghe van Amsterdam'of 1693 is an oil painting by the Dutch Golden Age artist David van der Plas. It dates from 1700 and is held in the collection of the Rijksmuseum.
About this work
Overview
David van der Plas painted this oil portrait in 1700, presenting the Amsterdam bookseller and publisher Caspar Commelin. The work is part of the Rijksmuseum’s collection and measures the typical size of a late‑17th‑century Dutch portrait. It captures Commelin holding an open printed page, underscoring his role as author of the 1693 official history of Amsterdam.
Subject & Meaning
Caspar Commelin is shown seated in a dark brown coat with a white lace collar, his curly hair framed by a modest chain. The open book he grips likely represents either a newspaper he issued or his own historical volume, emphasizing his intellectual pursuits and civic contributions. His sober expression conveys a sense of professional dedication.
Technique & Style
Van der Plas employs a restrained palette, using deep browns and muted reds to create a somber atmosphere. The figure is rendered with fine brushwork that defines the texture of the lace collar and the sheen of the chain, while the background remains largely dark, allowing the sitter’s face and the illuminated page to dominate the composition.
History & Provenance
Created shortly after Commelin’s death, the portrait entered private collections before being acquired by the Rijksmuseum, where it has been displayed as part of the museum’s Dutch portraiture holdings. Documentation traces its ownership through several 18th‑century Dutch dealers, confirming its attribution to van der Plas.
Context
The painting reflects the Dutch Golden Age tradition of portraying merchants and scholars as civic exemplars. By depicting Commelin with his published work, van der Plas aligns the sitter with the era’s emphasis on literacy, trade, and the documentation of urban history, themes common among Amsterdam’s elite patrons of the early 18th century.
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