Eisteddfod at Adfa Chapel, Montgomeryshire

Executed in a loose, sketchy watercolour style, the work conveys a sense of immediacy, with soft lines capturing fabric folds and facial shadows, and natural light streaming through tall windows.

Commissioned as part of the *Recording Britain* scheme, funded by the Pilgrim Trust and led by Sir Kenneth Clark, to document British life during WWII, fearing destruction and change.

Created during WWII, the piece reflects a broader national effort to record and preserve British heritage and identity in the face of war and potential loss.

As part of *Recording Britain*, it contributes to a significant archival collection of British wartime cultural life, though the artist's individual prominence in the collection is not highlighted in available information.