Artwork

Untitled

Untitled, by Esteban Vicente, oil, 1956
Untitled, by Esteban Vicente, oil, 1956

Untitled is an oil painting by the Abstract Expressionist artist Esteban Vicente. It dates from 1956 and is held in the collection of the Museum of Modern Art.

About this work

Overview

Created in 1956, this untitled work by Esteban Vicente is an oil painting on canvas in the collection of the Museum of Modern Art. The composition consists of an amorphous field of color where forms emerge and recede, offering a visual experience that is more associative than representational.

Subject & Meaning

The canvas presents a hazy blend of greens and yellows punctuated by two vivid red areas that suggest the silhouette of a garment and a wall, while a yellow rectangle abuts a darker gray shape with a hint of a red doorway. The arrangement invites viewers to interpret the juxtaposed elements as dreamlike fragments rather than literal scenes.

Technique & Style

Vicente employs a thick impasto application, laying paint in uneven, forceful strokes that give the surface a tactile quality. The brushwork is vigorous, creating a sense of movement and depth, while the clashing color palette—particularly the red against yellow—enhances the tension between the forms, characteristic of mid‑century abstract expressionist practices.

History & Provenance

The painting entered the Museum of Modern Art’s holdings after its acquisition in the late 20th century, reflecting the institution’s interest in documenting the evolution of abstract painting in the United States. It remains part of MoMA’s permanent collection, where it is displayed among other works that illustrate the period’s experimental approaches to color and material.

Artist & collection

Portrait of Esteban Vicente

Artist

Esteban Vicente

Esteban Vicente Pérez was a Spanish American painter born in Turégano, Spain. He was one of the first generation of New York School abstract expressionists. He identified as an antifascist.

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.