Artwork

Illustration to 'Le Morte d'Arthur', book 9, chapter 20

Illustration to 'Le Morte d'Arthur', book 9, chapter 20, by William Russell Flint, watercolor, 1911
Illustration to 'Le Morte d'Arthur', book 9, chapter 20, by William Russell Flint, watercolor, 1911

Illustration to 'Le Morte d'Arthur', book 9, chapter 20 is a watercolor work on paper by the Art Nouveau artist William Russell Flint. It dates from 1911 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This watercolour illustration, created for the nineteenth‑century edition of Sir Thomas Malory’s *Le Morte d'Arthur*, visualises the encounter between King Mark and the Irish princess Isolde as narrated in Book 9, chapter 20. Rendered in a garden setting, the image captures a brief, contemplative moment from the legend.

Subject & Meaning

The composition centres on two figures: a man in a dark blue robe edged with gold, extending his hand toward a tree, and a woman in a flowing white dress with a veil, her sword sheathed at her side. Their poised stance suggests a dialogue of duty and desire, echoing the tragic love story that underpins the narrative.

Technique & Style

Executed in delicate watercolour, the artist employs a muted palette of greens, earth tones, and soft blues, allowing the luminous white of the woman's garment to stand out. Gentle, flowing lines define the foliage, the stone well, and the bucket, creating a serene atmosphere that emphasizes quiet intimacy over dramatic action.

Context

Illustrations for literary works were common in Victorian publishing, serving both decorative and interpretive functions. This piece reflects the period’s fascination with medieval romance and the revival of chivalric themes, aligning visual art with the textual revival of Arthurian legends.

Artist & collection

Portrait of William Russell Flint

Artist

William Russell Flint

Sir William Russell Flint RA ROI was a Scottish artist, painter and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.