Who painted Allegory of summer in a circle of flowers?

Allegory of summer in a circle of flowers was painted by François Boucher in 1746.

Where can I see Allegory of summer in a circle of flowers?

Allegory of summer in a circle of flowers is held by National Museum in Warsaw.

What movement is Allegory of summer in a circle of flowers?

Allegory of summer in a circle of flowers is associated with Rococo painting.

Artwork

Allegory of summer in a circle of flowers

François Boucher , 1746

Allegory of summer in a circle of flowers is an oil painting by the Rococo painting artist François Boucher. It dates from 1746 and is held in the collection of the National Museum in Warsaw.

About this work

Overview

Created around 1746 by French painter François Boucher, this oil work entitled Allegory of Summer in a Circle of Flowers is part of the collection of the National Museum in Warsaw. The composition presents a mythological scene that celebrates the season through symbolic figures and abundant floral motifs.

Subject & Meaning

At the centre of the picture two plump cherubic figures recline on a fluffy cloud; one grasps a bow while the other holds a red drapery. Their languid posture suggests a leisurely, almost dreamy atmosphere, reinforcing the theme of summer’s warmth and abundance.

Technique & Style

Boucher employs a luminous palette of bright reds, whites and deep greens, rendering roses, daisies and foliage with delicate brushwork. The surrounding frame, densely filled with swirling leaves and blossoms, enhances the decorative quality typical of Rococo sensibilities.

History & Provenance

The painting entered the holdings of Warsaw’s National Museum, where it remains on display. Its attribution to Boucher and dating to the mid‑1740s are based on stylistic analysis and archival records linking the work to the artist’s prolific output of allegorical subjects.

Context

Putti, the chubby infant angels depicted here, were a recurring motif in 18th‑century European art, often used to personify abstract ideas such as seasons, love or music. Their inclusion aligns the work with contemporary decorative programs that favored playful, allegorical imagery.