Artwork
Disbanding Gomez' Army
Disbanding Gomez' Army is an oil painting by the American Impressionist artist Frederic Remington. It dates from 1900 and is held in the collection of the Museum of Fine Arts, Houston.
About this work
Overview
Disbanding Gomez' Army is an oil painting created by Frederic Remington in 1900, currently part of the collection at the Museum of Fine Arts, Houston.
Subject & Meaning
The painting depicts a scene of demobilization, where men in white uniforms, possibly indicating a specific faction or force, are gathered in a courtyard. They are interspersed with individuals in darker attire, suggesting a mix of groups. The focus on leaders, distinguishable by their unique dress, implies a moment of transition or command.
Technique & Style
While specific technical details of the painting are not provided, Remington's known style often emphasized dynamic compositions and a keen sense of observational detail, likely capturing the nuances of the scene in characteristic oil paint textures and lighting effects.
History & Provenance
Created in 1900, the painting's history prior to its current residence at the Museum of Fine Arts, Houston, is not detailed here. Its presence in the museum's collection indicates its recognized value within Remington's oeuvre.
Context
The subject matter hints at a historical or politically charged moment of demobilization, potentially referencing late 19th or early 20th-century conflicts involving distinct factions. Without specific contextual references, the painting stands as a broad representation of military transition.
Legacy
As part of Remington's body of work, 'Disbanding Gomez' Army' contributes to the artist's legacy of depicting military and transitional scenes. Its legacy is intertwined with Remington's overall impact on American art, particularly in the representation of military life and social transitions.
Own this work as a print
Artist & collection
Artist
Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art.
The Mier Expedition: The Drawing of the Black Bean
The Venezuelan Guard at El Dorado
Chinese Observing the British (Lord Macartney's) Embassy
Slave Market
Slave Market
A mid-day Halt - Dec. 1884
Men of Elephant Battery, Jhansi (verso)
Magogoni, Dar-es-Salaam
How the Horses Died for Their Country at Santiago
Μεταφορά τραυματιών κατά τον ελληνοτουρκικό πόλεμο του 1897