Artwork
Iconologia or Morall Emblems by Caesar Ripa
Iconologia or Morall Emblems by Caesar Ripa is an ink print by the Baroque artist Isaac Fuller. It dates from 1639 and is held in the collection of the National Gallery of Art.
About this work
Overview
Iconologia or Morall Emblems is an engraving by Isaac Fuller, created in 1639, after the work of Caesar Ripa.
Subject & Meaning
The engraving depicts a complex scene with multiple figures representing abstract ideas. A central figure stands on a pedestal, gesturing upwards, surrounded by others in various poses, conveying a sense of dynamic movement and emotional intensity.
Technique & Style
The engraving features intricate linework that creates detailed textures and shading, contributing to the overall sense of chaos and drama. The artist's use of fine lines builds up the composition, adding depth and visual interest.
Context
The title 'Iconologia' suggests that the figures are symbolic representations rather than realistic portrayals, indicating that the work is rooted in allegorical or emblematic traditions.
Artist & collection
The Rape of the Sabines
Samson and Delilah
Illustration to Jean Desmarets' "L'Ariane"
Baptism of the Eunuch![The Martyrdom of Saints Peter and Paul [recto], by Antonio da Trento](https://artifactworldgallery.com/img/antonio-da-trento--the-martyrdom-of-saints-peter-and-paul-recto--a51e90060085a207-w320.webp)
The Martyrdom of Saints Peter and Paul [recto]
Saint Benedict Healing the Possessed
Scipio Restoring His Captive to Her Lover
Beheading of the Roman Judge Papinian
Aeneas and His Family Fleeing Troy
The Unmerciful Servant Brought before the King
Mucius Scaevola
Reconciliation of Absalom and David (Réconciliation d'Absalom et de David)