Artwork

Untitled

Untitled, by Furuyama Moromasa, ink, 1742
Untitled, by Furuyama Moromasa, ink, 1742

Untitled is an ink painting by the Baroque artist Furuyama Moromasa. It dates from 1742 and is held in the collection of the Metropolitan Museum of Art. Created in 1742, this hanging scroll presents a solitary female figure rendered in ink and color on silk.

About this work

Overview

Created in 1742, this hanging scroll presents a solitary female figure rendered in ink and color on silk. The composition captures a quiet interior scene, illuminated by the soft glow of evening light that gently reflects off the silk surface. The work is unsigned, and its title remains unknown, leading scholars to refer to it simply as Untitled.

Subject & Meaning

The central figure is a woman dressed in a pale kimono, her hair flowing freely and her hands delicately folded. She is positioned near a modest bamboo-framed window, suggesting a moment of contemplation or private repose. The subdued setting and restrained pose reflect everyday life rather than courtly ceremony, aligning with the artist's interest in ordinary subjects.

Technique & Style

Executed with fine brushwork characteristic of Furuyama Moromasa, the scroll employs delicate ink lines that outline the folds of the kimono, while subtle gray shadows convey the fabric’s texture. The use of color is restrained, allowing the silk's natural sheen to enhance the atmospheric dusk lighting. The overall effect balances sketch-like precision with a gentle, lyrical atmosphere.

History & Provenance

The scroll originates from mid‑Edo period Japan and is attributed to Furuyama Moromasa, an artist known for genre scenes of daily life. Its provenance prior to acquisition by the museum is undocumented, and it entered the collection through a private donation in the early twentieth century. The piece remains an important example of Moromasa's secular portraiture.

Artist & collection

Portrait of Furuyama Moromasa

Artist

Furuyama Moromasa

Furuyama Moromasa spent his life in Edo—today’s Tokyo—painting the world he saw around him.